I Can’t See Through You!

What is it about cats?

I stretch out on the sofa with a book propped up on a pillow, all set for a relaxing evening of reading. My novel is at eye level. On the other side of the book, there’s a whole lap that needs a cat.

But Daisy invariably curls up between me and whatever I’m reading. I find myself raising the book, or in the case of my Kindle, holding the device up in the air. My chin rests on Daisy’s back and I might wind up with cat hair tickling my nose.

Daisy is not exactly a static chin rest. If I shift position, or move around too much to suit her, she gets huffy and growls at me. After all, her nicknames are “Empress of the Universe” (just ask her) and “Daisy the Demon Cat.”

Daisy The Demon Cat

Then there’s the computer monitor. Daisy likes to stand between me and the monitor. So does Clio. Talk about learned behavior. Clio observed Daisy at the computer, and now she stands happily in the space between keyboard and monitor, purring madly and demanding to be petted.

Some history here. Daisy loves to help me write. When she was a wee rambunctious kitten (she’s still rambunctious!), she’d leap onto the computer table, block my view of the monitor, and stroll across the keyboard. Thank goodness for that “Undelete” button, because Daisy has deleted whole blocks of text.

To distract her, I’d pick up the kitten and hold her on my left shoulder, like a baby. So now she associates me sitting at the computer with cuddle time. And yes, I can still type with both hands with a cat on my shoulder. Or on my lap. The only difficulty comes when Daisy decides to play with my mouse hand. Sometimes she gets behind me, on the back of my office chair, leaning against me, or propping her head and forepaws on my shoulder.

Clio and Daisy, Writing Assistants

It must be a cat thing. If I’m editing a manuscript, whacking at prose with a #2 pencil, there’s usually a cat who decides to sit on the very page I need to read. Not only Daisy, but Dexter before her, and Spats before that.

Cats live in the moment and demand attention. They just don’t understand that I can’t see through them.

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The Stories Behind The Stories

I have written four Jeri Howard short stories, which I’ve stitched together as an e-book, titled Jeri Howard Casebook: 4 Stories.

Sometimes I think it’s almost as hard to write a short story as it is a novel. At least in a novel I have a big canvas to daub with words. The novel provides me room to digress and wander all over, exploring subplots and characters.

Short stories are more difficult because they must fit into a framework that limits the number of words. On the other hand, there are good ideas that come to me as a writer, but they’re not big enough to be a novel. So a short story lets me explore those ideas.

Like many writers, I take plot elements from real life. Everything that happens, every observation or random scrap of conversation can turn on the spigot. I start with those “what if” questions, and soon I have plots and characters.

Each of the short stories in Casebook had its genesis in the world around me. Here’s how:

“Little Red Corvette” – I was eating lunch at a deli in downtown Oakland, eavesdropping on the two men at the table next to me as they discussed a classic car, a Chevy Corvette, that had been left at a repair shop. No one had claimed the car after the repairs were made, so the shop owner was selling the vehicle.

Why hadn’t the owner picked up the car? What if he was dead? I wrote the story that answers the questions, using Jeri and an appearance by one of my favorite secondary characters, Acey Collins, the biker/mechanic who has a role in the third Jeri Howard novel, Take A Number.

“Blue Eyes” – It’s about a cat and a will. For many years I was a legal secretary. At one temp job I worked with an attorney who specialized in wills and trusts.

One day I read some language in a will that left provisions for the care of that individual’s cats. That had possibilities. What if something fishy about the will? What if there were two claimants and an unscrupulous attorney? And the cat has blue eyes, of course.

“Slayer Statute” – This case is another one that stems from my legal secretary days. The Slayer Statute is part of the Probate Code in many states. It says that if Person A kills Person B, Person A can’t benefit from that act, even if listed as the primary beneficiary in a will or on an insurance policy. That means Person B’s assets go to secondary beneficiaries.

What if a man and wife die in an apparent murder-suicide? What if the coroner can’t tell who died first? It’s a convoluted headache and that’s why the insurance company in the short story is more than happy to hand the case to Jeri Howard.

“Candles On The Corner” – You’ve all seen them, shrines that spring up on corners and along highways, in memory of someone who has been killed in a traffic accident. Each time I see one, I wonder what happened.

What if a little girl dies in a hit-and-run accident? What if her grieving parents build a shrine on the corner where it happened? What if the property owner objects?

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Bit Player Nominated for Golden Nugget Award!

I’m delighted that Bit Player has been nominated for The Golden Nugget. That’s a special award to be given to the best mystery set in California, in recognition of the location of this year’s Left Coast Crime Convention, to be held in Sacramento at the end of March. And I’m in some illustrious company. Here is a list of the nominees:

  • Jan Burke, Disturbance (Simon & Schuster)
  • Michael Connelly, The Drop (Little, Brown)
  • Janet Dawson, Bit Player (Perseverance Press)
  • Sue Grafton, V is for Vengeance (Putnam)
  • Kelli Stanley, City of Secrets (Minotaur)

I enjoy Left Coast Crime, a regional convention held every spring in the western United States. This year it’s called Mining For Murder and it should be lots of fun. Hope to see you there!

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Movies and Memories

I recently saw The Artist, a lovely movie that I thoroughly enjoyed. If you haven’t seen it yet, do. And that dog deserves a nomination for best supporting actor!

My mother’s family owned movie theaters from the silent era on, spinning out those reels in small-town Oklahoma. Mom and Dad met during World War II when the young sailor from Kansas encountered a pretty girl selling tickets at the picture show.

The Canadian, Purcell, Oklahoma

Mom was born in the mid-1920s, too young at the time to recall the silent movies of that decade, or the cataclysmic shift in the movie business that occurred in 1927 when Al Jolsen made a movie called The Jazz Singer. This is the turf covered by The Artist, and Singing In The Rain before it.

But my Uncle Levi remembered silent movies. I enjoyed talking with Uncle Levi, my mother’s oldest brother, born in 1910.

When I was growing up in Oklahoma City, we used to drive to Purcell, about 35 miles south, to have Sunday dinner at Grandma’s house. After dinner the grown-ups would send the kids to the show, the Canadian. We’d walk downtown and get in for free. I remember helping Aunt Dorothy sell popcorn and candy in what she called The Sweet Shop.

We weren’t allowed to go up in the balcony, but sometimes I’d go all the way upstairs to the projection booth, where Uncle Levi manned the projector and changed the reels.

On summer nights we’d go to the drive-in south of town, the Sky-Vue. It would be hot in the project booth there, so hot Uncle Levi would take off his shirt. I remember the movie reels at the drive-in being as tall as I was.

As I got older, Uncle Levi told me about show business. He wasn’t referring to the movie business in Hollywood, but the business of running a picture show. And he spoke of the silents, remembering stars like Broncho Billy Anderson (yes, he spelled Broncho that way). He recalled the Farnum brothers, Dustin and William, big stars in their day.

There’s a silent film museum in Niles, California, now a district of Fremont, but in an earlier time, a town of its own. It was the western site of Essanay Studios, a movie company founded by George Spoor and Gilbert “Broncho Billy” Anderson, and they made movies there, including a number of Broncho Billy films and Charlie Chaplin’s The Tramp.

The museum is open on Saturday and Sunday, noon to 4 PM, and on Saturday nights it shows silent movies. Worth a visit. Every year the museum hosts the Broncho Billy Silent Film Festival. This year is the 100th anniversary of Broncho Billy coming to Niles to make movies.

If you are in New York City’s environs, check out the Museum of the Moving Image in Astoria. The museum is housed in buildings that were used as East Coast movie production facilities in the 1920s. They show The Great Train Robbery, a 1903 film considered the first narrative movie. It’s a one-reeler, about 10 minutes long, shot in the wilds of New Jersey. Broncho Billy was in that movie, and it’s really good, surprisingly fresh, innovative and in a way, timeless.

Go see it. You’ll understand why it was a sensation back in 1903.

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The Naming Of Characters

The protagonist in my work in progress – the train book – has just had her second name change.

Her first name has always been Jill, but her last name was problematic. My first choice – Macafee – had three syllables and didn’t feel right. So I changed it to McKay. But I have another character with the last name Haggerty. I decided that two names ending in “y” were one too many. I could have changed Haggerty to something else – the character is secondary, after all. But the last name suits him.

So my protagonist is now Jill Duncan. I wanted something with Scots antecedents. Thank goodness for all those websites with Scots genealogy, and the websites that tell me the history and popularity of names.

T.S. Elliot once wrote about the naming of cats. I’ve always maintained that if you listen, cats will tell you what their names are. Case in point – a silver tabby I was going to name Peter Wimsey. By the time I got him home, he’d told me in no uncertain terms his name was Gus.

Same with characters. I know the protagonist of the train book is a Jill, just as I know Jeri Howard is a Jeri.

Jeri Howard is named for her grandmother Jerusha, who takes a prominent role in my most recent book, Bit Player, I first encountered the name in James Michener’s Hawaii, and I like it, so that’s why I chose it.

While in the early stages of a book, in my notes I will refer to characters by their initials. This is a good tool for figuring out if I have too many characters whose names begin with the same letter. If I’m reading a book with a Mary, a Mike, a Maggie and a Mark, that gets confusing, so I try to avoid that in my own work.

Sometimes I need a name with lots of diminutives, as was the case in my first Jeri Howard novel, Kindred Crimes. There was a character who had different personas with different people throughout her life. So I chose the name Elizabeth, with its many variations. She was Beth to some people, Lizzie to others.

I find that from time to time I unconsciously pick family names. In Kindred Crimes, I used Sid, Karen and Jarvis, as well as Elizabeth. I do have relatives with those names.

The train book – Death Rides The Zephyr – takes place in 1952, so I looked at the history and popularity of names, making sure that Jill was in use at that time. It was. I’m of that vintage and I very nearly wound up a Nancy rather than a Janet. When I was in school it seemed like every third girl was named Cathy.

Anyway, a 1952-era character named Madison wouldn’t ring true. Madison is now popular as a girl’s name and so is Taylor – examples of names I think of as surnames migrating to use as given names.

Shirley was a man’s name until Charlotte Bronte published a novel by that name in 1849. It’s also a surname – think Anne Shirley – but one reason for it now being a common woman’s name is that tap-dancing moppet of the 1930s, Shirley Temple.

Sidney, too, the name of my great-grandfather as well as an uncle. I’ve always thought of it as a man’s name, but now it’s not unusual to find women with that name. Same with Alex.

Another great-grandfather was named Isom. You don’t see that much, except for my cousin who was named for him. Then there are the names Levi and Peyton, borne by a couple of my uncles and now the monikers of a current generation in the family.

I had great-uncles named Elmer and Homer, old-fashioned men’s names that aren’t common now. One of my grandmothers was named Ethel. I have an aunt and great-aunt named Flora. My mother’s name is Thelma, and she was named for her aunt. Those names are out of fashion. They evoke a different era.

But my other grandmother was Kate. Some names never go out of style.

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Jeri’s Best Picks: Velvety Voices

Jeri Howard loves good food – and coffee. She drinks so much coffee in the books that it got a mention on DorothyL.

Years ago, a writer friend suggested that I write a column called “Jeri’s Best Picks.” I laughed and said it was a good idea. It is. But I won’t limit myself to restaurants.

Jeri’s Best Picks – an eclectic mix of my favorite things.

* * * * *

Someone once wrote that Frank Sinatra may be called the chairman of the board, but Mel Tormé is the president of the company.

Mel Torme

I agree. I’ve been a fan of that velvety voice for years.

Mel, known as the Velvet Fog, was born in Chicago in 1925. He was sublime singer with nearly perfect pitch.

Here’s Mel on the Nat King Cole (another great voice!) show, singing “A Foggy Day In London Town.”

He was also a composer, music arranger, drummer, actor. And he wrote five books, including an entertaining autobiography called It Wasn’t All Velvet.

Many years ago I glanced through the concert listings in a Bay Area newspaper and saw to my astonishment that Mel was doing a gig with the Chabot College Jazz Band. For ten bucks. I was in the audience that Saturday. I also saw him perform with the San Francisco Symphony Pops.

That said, I will admit that nobody could sing One For My Baby like Sinatra.

KCSM, the jazz station here in the Bay Area, has introduced me to some new velvety voices, most recently Johnny Hartman, who had a lovely bass.

Then there’s Johnny Mathis. My mother’s favorite. I’ve teased her about that for years.

However, Johnny is indeed a fabulous singer. And he’s still out there performing after more than 50 years in the business. I saw him at the San Francisco Symphony Pops a few years ago.

But Mom had never seen him live on stage. She lives in the Denver area, so I kept checking the Mathis concert list. Finally, after a couple of years, I discovered he was scheduled for a gig with the Denver Symphony. So I bought tickets, flew to Denver, and took Mom to the show.

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Relaxing On The Rails

I wrote most of this blog entry on the train to California after spending the holidays with my family in Colorado.

The train – the Amtrak California Zephyr – takes about 33 hours to make the trip from the Bay Area to Denver. Sometimes I tell people that, their reaction is that it’s a long time to travel. I guess if you want to get from point A to point B in the fastest possible fashion, flying is the way to go.

But for me, that 33 hours aboard the train is time to relax. The journey itself is part of the vacation. As the train pulls out of the station, I listen to the clack of wheels on rails, and relax. I’m moving away from stress, schedules and one more thing to do. For the next 33 hours I do what I want to do.

I spent a good deal of time sitting in my roomette staring out the window at the spectacular beauty of the Sierra Nevada and the Rocky Mountains. On my eastbound trip I counted seven bald eagles along the Colorado River. For a birder, that’s a great eagle day. Coming back, one bald eagle along the Truckee River.

Two of my favorite scenic spots are along this route. One is Glenwood Canyon, east of Glenwood Springs, Colorado. The other is Gore Canyon, a remote area accessible mainly by train. Unless you’re a hiker or you make your way on the river.

Colorado River, Gore Canyon, December 2011

I have a roomette, a small compartment with two facing chairs that fold down into a bed. I really enjoy sleeping on trains, lulled by the motion. Sometimes I wake up at to look out the window and wonder where I am. If I’m somewhere on the Great Basin of Nevada or Utah, I can see but a few feet. Just snow and maybe a few lights in the distance. Or I wake up and see lights spilling in around the edges of the curtains as the train pulls into a station, like Salt Lake City or Provo.

The dining car is part of the journey as well. The food is pretty good and I’ve enjoyed looking at scenery from both sides of the train and talking with my dining companions.

So far this trip I’ve breakfasted with a University of California freshman from Shanghai, China, and lunched with a visiting professor and his family from Beijing, taking the opportunity to see the United States before returning to China. On the Denver run there was a family from Australia. And on the return trip, I chatted with a honeymooning couple from Melbourne. I’m never surprised to find world visitors on the train. It’s a wonderful opportunity to see what this country looks like.

I’ve chatted with people from all over California. Many of them tell me they prefer traveling by train to the hassles of flying. At this time of the year, the train is full, both coach and the sleeper cars.

We have been on time this run. In 2010 we had some problems, a mechanical issue in Elko, Nevada that resulted in a car being removed from the train. Then came a rockslide  across the tracks near Glenwood Springs, a danger at this time of year as rocks freeze and thaw in the canyons.

When I called my mother to tell her about the delay, she asked if I wished I’d flown. Not really. I’ve spent more hours than I care to recall cooling my heels in airports due to delays, usually because of weather.

On the train, being late doesn’t seem to bother me, other than wondering about my bus connection in Denver. I can get up and move around or stretch out and take a nap.

I’ve used this trip as an opportunity to do research at the library of the Colorado Railroad Museum, for my train book, a mystery set aboard the old California Zephyr. For those of you who don’t know about the Silver Lady, as the old CZ was called, it was a sleek superliner that operated from 1949 to 1970, running from Oakland, California to Chicago, Illinois. The train book is called Death Rides The Zephyr and it will be published by Perseverance Press in the fall of 2013.

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eBook Sale! Only Four More Days!

You’ve got your new e-reader, so time to take advantage of the Backlist eBooks sale.

My first three Jeri Howard books, Kindred Crimes, Till The Old Men Die, and Take A Number, will be on sale for 99 cents each through Friday, January 8.

And while you’re at it, check out the other books on sale at Backlist eBooks. Happy reading!

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Christmas is A’Comin’, The Cats Are In The Tree

My Christmas holiday rituals begin the day after Thanksgiving, when I haul the boxes out of storage and decorate my home. In the evening, I retire to the sofa with a large bowl of buttered popcorn and watch Miracle on 34th Street.

Miracle on 34th Street, with Natalie Wood and Edmund Gwenn as Kris Kringle

I also watch the cats climb the Christmas tree.

It’s an artificial tree, about seven feet tall, in three pieces that fit together on a broad four-pronged stand. That stand, and the tree, are fairly sturdy. They need to be.

I bought the tree several years ago at an after-holiday sale. I brought it home and put it together to see how it looked.

Dexter, my gray and white tuxedo cat, promptly climbed the tree. Looking enormously pleased with himself, he sprawled over some branches, where the middle and top sections of the tree fit together. I was relieved to know that the tree would hold a fifteen-pound tomcat. Dexter continued to climb the tree every year, until he got too old to be interested.

Dexter's Favorite Christmas Activity

Now Dexter is gone. The torch – er, tree – has been passed to the Gonzo Kittens, Bodie and Clio. This rambunctious pair came to live with me last year when their mother, Lottie, showed up in my yard with her six-week-old babies. Over the next few weeks I  lured all three of them inside. Tuna, works like a charm.

The kittens are a year old now and show no signs of acquiring sedate adult cat behavior. Their mother, who is probably not much older, has scaled the tree several times herself. In the main, however, she prefers to lounge under it.

Years ago I had a black cat named Pearl. She didn’t climb the Christmas tree but she loved to sit under it. She’d make a nest amid the packages and snooze. All I saw when I peered under the tree was a pair of green eyes. Pearl would often remove the glass balls from the lower branches. She would bat them around the living room. The only time she ever broke anything was when she batted the ball into a chair leg.

Then there was Gus, a fat silver tabby who one year was playing under my tree, jingling bells to the point where I told him to get out from under that tree. He did. But he was tangled in a string of lights. He took the tree with him – dragging it several feet and breaking a number of ornaments in the process.

Each year when I bring the tree, in pieces, and the ornaments into the house, the cats react with great enthusiasm. Where has this large wonderful cat toy been all year? Let’s chew on that red beaded garland! Let’s pounce on that little snowman!

Clio As Tree Angel

This year, before the tree was festooned, I turned around and discovered Clio auditioning for the role of tree angel.

Since then, the tree jangles and jingles its merry way through the holiday season.

Bodie As Tree Ornament

Hey, it’s still standing! But that ballerina ornament keeps losing her tutu.

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Missing Dad

Six months after my father died, I told a friend I miss my Daddy.

Not the Dad who succumbed to cancer and the more insidious ravages of Alzheimer’s. Those diseases changed him, turning him into an old man whose mind and body were dramatically altered.

I miss the Daddy I could talk with, who gave me advice. He was good at fixing things. He helped me move innumerable times. He constructed raised flower beds for my patio. He built a floor-to-ceiling cat tree for my felines, using lumber and carpet scraps. It’s well-used, even to this day.

Dad taught me how to ride a bike. I remember him holding it while I pedaled. Then he let go and I was pedaling on my own. That’s what parents do, support their kids and then let them go. He also taught me how to drive a car, although by the end of the day I was in tears, he was frustrated, and my mother promptly signed me up for driver’s ed.

He liked to work in his garden, saying you could take the boy off the farm but couldn’t take the farm out of the boy. That farm was in Western Kansas, near Ford, southeast of Dodge City. He was one of five children – four boys and one girl. He remembered the Dust Bowl and the Depression.

He was gregarious and he liked people, enjoyed talking with them, enjoyed  people-watching. That’s why he was such a good salesman. One of his favorite activities as he got older was to go up to the local coffee shop where he had his own mug. He’d drink coffee and talk with, as he described them, all the other old farts.

When I was in junior high and high school, Mom had to work on Saturdays, so after breakfast Dad would tell me and my younger brother, let’s clean the house so your Mom doesn’t have to when she gets home from work. Dad was an old-fashioned, conservative man for whom societal roles were clearly defined. But he wasn’t afraid of doing housework, didn’t consider it beneath him. He figured it was his job, as a member of a partnership. Mom says he always helped take care of me and my brother when we were small.

Dad was so proud of my success as a writer. In the trunk of his car, he carried copies of Kindred Crimes, my first book, and he’d sell them to anyone who expressed an interest.

I miss my Daddy, the one who would, on an autumn Sunday afternoon in Colorado, drive us into the mountains to look at the beautiful gold colors of the changing aspen trees. He never lost his love of the land. He could find beauty in any landscape, whether the mountains, the high plains of Eastern Colorado and Western Kansas, or the rolling hills of Northern California.

My father died on Veteran’s Day, six years ago. The date was appropriate because he was a veteran of World War II, a Navy aviation machinist’s mate.

He was stationed at a Navy school in Norman, Oklahoma, and one night he was on shore patrol in the small nearby town of Purcell. Mom was selling tickets at her family’s movie theater. That’s how they met. Mom was nineteen and Dad was twenty-one.

Don and Thelma Dawson, Wedding, March 1944

Like many young couples of that era, they married during that uncertain wartime. Mom followed Dad to a duty station in Philadelphia. She arrived by train, not knowing exactly where Dad was, or where they would live. By the end of that day, she’d found Dad, a job and a room to rent. She’s resourceful that way. Later they went to Tacoma, where Dad served on a carrier escort and Mom worked in a defense plant.

After the war, Dad went to college on the GI Bill, the government program that educated so many of the young men who returned from the war. The farm boy became a businessman.

Several years ago, at a family reunion, I sat Dad down with his younger brother Ken. I started a tape recorder and got them talking their childhood on that farm, and some of the shenanigans that ensued. I’d already heard the story about Dad’s encounter with a skunk under the house. I hadn’t heard the one about Uncle Ken wiring the clothesline so Grandma would get an electrical shock while she was hanging out the wash.

Now that Dad’s gone, I’m so glad I have that recording.

My parents were married 61 years and had two children. They stayed together through boom and bust, good times and bad.

At the funeral, Mom displayed photos of Dad taken through the years. At one point she picked up the eight-by-ten color shot of Dad in his Navy dress blues, a bit teary-eyed as she said, “I sure picked a good-looking sailor.”

Yes, Mom, you sure did.

It’s Veterans Day, and six years since my father died. I still miss my Daddy.

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